Sadly, that's about all I know of French corsetry, which is a great shame since the subject, I'm sure, would fill several museums. The French corsets and girdles that I have encountered have been strong, well made and with that Gallic flair for style and individuality. Satin panels abound (even on the interior, which leads me to believe that the garment would have been worn over another undergarment). The suspenders are often attached by buttons. The heat of summer in France made stockings and suspenders redundant. The strength of the materials was formidable. I have a French panty-girdle that quite easily stands up by itself so firm is the elastic.
Our memories of French corsetry were rather interrupted by a question about Dior's famous girdles and corsets that defined his 'new look' of 1947. We managed to find some excellent images of this era which deserve a completely separate page. Yet, like all couturiers, Dior's wealth came from the masses; his famous corsets and gowns simply being show pieces, even advertisements, for his art. So let us return to the High Street and see what the average Frenchwoman could purchase just a few decades ago.
The French have quite a passion for beige and flesh coloured underwear in immensely strong elastic. Pre-1985, the elastic would be enlivened by pretty satin panels. Another feature of French corsetry was the removable suspender attached either internally or externally by buttons. If the French matrons kept their corsets in the heat of summer, they could at least discard their stockings.
The panty-girdle is so firm it could stand up unaided. Note the horizontal boning in the middle of the abdomen. This horizontal boning (seen below in this corset from 1978) is a feature of European corsets. On the left is a girdle (also 1978) from the high street end of the social spectrum. Regard the minute scalloped lace trim on the top and bottom edges, the satin flashes over and under the suspenders, and the satin detailing on the adjustable hip control. Laced and strapped, this is quite a piece of engineering, yet every chance is taken to remind the wearer (and the observer) that the French have style.
Even in their corselettes, satin, cunning stitching, and (left and middle; 1969) the most formidable satin suspender flashes (which don't actually cover the 'bumpy bits') demonstrate an amazing elegance combined with powerful functionality. Two decades later, the corselette (right; 1985) has substituted powerful elastic panels for the unyielding satin, and a long zip has replaced the multitude of hooks and eyes. The older corselettes featured here all required at least 20, and sometimes as many as 33, hooks-and-eyes to put on and take off.
The French penchant for 'bullet-proof' beige elastic is occasionally replaced by flashes of alternative colours. In part II, we deal with the French passion for satin-faced corsetry.
These three 'high street' girdles are, to me, quintessentially French. The girdle on the left is the strongest and heaviest I have ever encountered. The elastic is massively woven and the hooks underneath the zip, almost industrial strength to accept the tension. It's faced in satin as is the rather more feminine central girdle.